This is an odd disturbing little book. In fact, I had to
read it twice. Hitomi Kanehara’s 2005 novel Hebi ni piasu, which was
translated by David James Karashima also in 2005 as Snakes and Earrings, is
set in the dark side of Tokyo’s youth culture. The narrator is a young
woman named Lui who recounts her relationship with Ama, a boy friend who she
met at a strange bar. He was the scariest-looking guy there.
Besides having a face full of earrings, Ama has an unique
body modification: his tongue is forked at the end like a snake’s; he also has
a large distinctive-looking dragon tattoo. Lui becomes fascinated and follows
Ama home. The next day they go to meet Shiba-san who is the artist that gave
Ama both his split tongue and large tattoo.
So it is, that Lui who up this point been a Barbie girl
type-complete with blonde hair-is drawn into the punk/goth world of Japanese counterculture
and into the lives of two very dangerous men. What disturbed me about this book
after the first reading was Lui’s seeming ennui and nihilism. Like Meursault in Camus’ The Stranger, Lui
simply reports what happens to herself and the world around her in a
matter-of-fact way. She also reminded me of what NPR commenter Andrei
Codrescu once said that one reason why goths and punks like tattoos and body
piercings was that the pain of receiving them was the only thing that broke
through the ennui.
On the second
reading, however, I decided that Lui was no Meursault. She tries to shape the
world around her so she can live the way she wants to live. And while she wants
to be different, she knows that there are boundaries. When Ama tries to give
her an inappropriate token of his affection, for example, she responds “That’s
no symbol of love. At least not in Japan.” So there are limits to her
rebellion.
This is author
Hitomi Kanehara first novel. It won the prestigious Akutagawa Prize. She is the
youngest writer to win this important Japanese literary award. Interestingly
one of the judges was Ryu Murakami. His first novel Almost Transparent Blue also
won the Akutagawa Price back in 1976. His book, not surprisingly, was as disturbing as Snakes
and Earrings.
This book was a
good read; I look forward to reading more by Hitomi Kanehara.
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